Liz, I love the painting you posted, and I think the question you raise is really interesting. I guess we tend to focus on the anguish of the knight at the end of the poem, of how he was tricked, but you made a point that perhaps there was some other motive for her love...and yes I agree with you that La Belle Dame sans Merci has probably duped a string of men.
ALSO, this poem is connected to Keats' "The Eve of St. Agnes," which is definitely about perverse romance. The longer poem "...Eve..." can be read in many different ways, but what is most..."perverted" about the poem is that Porphyro breaks into the castle to be united with his love Madeleine on a stormy winter night, and her room is the only safe place of warmth in the entire castle of his enemies, and he ends up taking advantage of her. It is never really clear whether he rapes her, but it is interesting to see the effect of the poem "La Belle Dame sans Merci" when Madeleine hears it:
Awakening up, he took her hollow lute,— | |
Tumultuous,—and, in chords that tenderest be, | 290 |
He play’d an ancient ditty, long since mute, | |
In Provence call’d, “La belle dame sans mercy:” | |
Close to her ear touching the melody;— | |
Wherewith disturb’d, she utter’d a soft moan: | |
He ceased—she panted quick—and suddenly | 295 |
Her blue affrayed eyes wide open shone: | |
Upon his knees he sank, pale as smooth-sculptured stone. |
Beautiful post, Clara. I think your reading of the two poems together supports Liz's contention that La Belle Dame is not entirely a temptress in the shorter poem, and that we should consider further the power dynamics playing out in the text.
ReplyDelete